Church Underground

Dm she stood spotlit in a plain print dress came howling out of the wilderness Gm . . . . . . . . . . . . . . . . F . . . . . . . . . . . . . . . . . . . . . . . . . . C . . . . there beat a cunning and murderous heart beneath that calm exterior Dm "you know my name you don’t know my mind don’t doubt my eyes they betray the past Gm . . . . . . . . . . . . F . . . . and i’ve already forgotten C . . . . much more than you will ever know" Dm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F/C . . . . and every word that i have spoken is true G/B . . . . . except for those that were broken in two C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A . . . . . i’m trying to make peace after a long night of pretend C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A . . . . . i need a pawnbroker or a moneylender G why do you do me down , mister? . . . . . . . . . . . . . . F . . . . . . . C sing "hallelujah , " sister C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A turn up the volume , just to turn it down Dm . . . . . . . . . Dm/C . . . . . . . . . . . G/B the trivial secrets buried with the profound . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground Dm . . . . . deflowered young and then ever since she’s tried to wash off his fingerprints Gm . . . . . . . F . . . . . . . . . . . . . . . . . C so every charlatan and prince was made to feel inferior Dm she worked for tips in A 10 - cent dance said moving pictures might pay perchance Gm . . . . . . F . . . . . . . . . . . . . . . . . . . . . . . . . C 10 , 000 one - way tickets to the sparkling coast from the blank interior Dm . . . . . . . . . . . . . . . . . . F/A everybody’s either talking in code G/B or getting ready to explode C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . F/A then she was singing in a five - piece band C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A but seems that no - one really wants this sound G why do you do me down , mister? . . . . . . . . . . . . . . F . . . . . . . C sing "hallelujah , " sister C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A turn up the volume , just to turn it down Dm . . . . . . . . . Dm/C . . . . . . . . . . . G/B the trivial secrets buried with the profound . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F it’s enough to put a church underground A# . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . . . . . . . . . . . . . . C/E . . . . . the shaft of fanlight streaked with rain . . . . . . . . . . . . . . . . . . . . . . . A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D# poured through the glass , punched through the pain . . . . . . . . . . . D . . . . . . . . . . . . . . . . . . . . . . . . Gm . . . . . . . . . . . . . . . . . . . . . . . . . . . C the holy picture hidden in the midden of that poisoned stitch . . . . . . . . . . . . . Gm . . . . . . . . Gm/A# . . . . . Am her lonely voice was just a ruin in these riches Dm she must have been dreaming this all along could she be redeeming herself in song? A# . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . . . . . . . . . Em . . . . . i’m no - one’s martyred , plaster saint . . . . . . . . . . . . A7 below the grease , beneath the paint . . . . . Dm i’m rolling like barrel F/C swinging like a gallows . . . . . G/B i’m rising up fast like all hell and all hallows G why do you do me down , mister? . . . . . . . . . . . . . . F . . . . . . . C sing "hallelujah , " sister C/A# . . . . . . . . . . . . . . . . . . . . . . . . . . . F/A . . . . i’ll be damned or purgatory bound Dm . . . . . . . . . Dm/C . . . . . . . . . . . . . . G/B . . . . before those jokers ever understand . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground . . . . C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F . . . . . . . . . . . . C/E . . . Dm it’s enough to put a church underground Dm Dm7 ( x3 ) ( organ part that follows : A Dsus2 Dsus4 D Asus4 D )